Rings

Below are various etched copper rings.  The pair on the left consist of a domed outer ring with a plain inner band; the leftmost has also been etched with a kind of ‘duck foot’ pattern. In the next photo, is a plain etched copper band.  I have always found these appealing, but they are very abrasive and uncomfortable to the touch, even after much tumbling and even hand burnishing. A solution of sorts was to fill the etched pits with enamel, but so far I have not been able to retain the deep sense of depth, the next picture gives some idea of this.
Domed etched copper rings
Deeply etched copper ring
Enamelled etched copper ring
Incidentally, each of the domed rings above were made by doming two identical strips of copper in a doming block and sawing away anything that didn’t form part of the hemisphere, then soldering the two strips together to make a domed ring.  A third strip of greater width was soldered into a band to fit inside, sawn to fit perfectly then soldered at the edges.  The ring below left is silicon bronze domed as above, fitted with a fine-silver inner band.  Unfortunately, silicon bronze tarnishes rather rapidly when I wear it, but I have an aversion to paying £23/gm for fine gold to make an equivalent in 18K.  I have since found another way of making domed rings, by hammering a tube instead of a strip into a doming block.  The ring below centre and right was made in this way; it has an inner plain band inserted ready for subsequent operations, and additionally I have filed a flat on the surface to see what the options are for fitting a stone (e.g. a cabochon).
Domed silicon bronze ring
Domed filed copper ring

 

Domed filed copper ring
Encouraged by the ease of doming copper pipe and a copper band, I tried the same process using a silicon bronze band, well annealed. The first doming sequence on both sides produced a straight-forward rounding of both shoulders, nice and symmetric. It was annealed again, but doming now destroyed the shape, producing both warping (from circular section to elliptic) and crushing of the openings (falling into the centre). Back to the drawing board for a while…
Below are the first three rings I made on a course at St Martins (now University of the Arts) with Martin Hopton as tutor.  The left-most ring is a cubic zirconia set into a sterling silver tube (which was made into a cone first), the next is dyed agate in a fabricated bezel, and the last consists of three CZ flush-set in a sterling silver band.  The setting marks left behind on this last ring are particularly objectionable, although I have improved somewhat since then.
Cubic Zirconia in Sterling
Dyed agate in sterling bezel

 

 

Flush-set CZ in sterling

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